Enough Is Enough (2004)

On Enderby/Splatsin’s Starlight Drive-In, one of North America’s largest screens, close to 100 community performers cast giant shadows and performed live music, singing, dancing and drumming under the night sky. 

The theme of the play was Addiction Awareness, gently explored with moving images of addiction shared by various local residents, live ads reminding of the addictive tendencies of our society, and a true story of a girl growing up on Splatsin Reserve as alcohol became prevalent.

Each performance culminated in a huge Friendship Dance with a full cast and audience.

Poster Design by: Cathy Stubington

Poster Design by: Cathy Stubington

PROGRAM below - Click to enlarge

 

“Enough is Enough” Community Shadow Play with shadow puppets, human shadows and beautiful lighting, at Skylight Drive-in Screen, Splatsin 

A co-production between Runaway Moon Theatre and Splatsin Band Health Department

Storyboard: Cathy Stubington, James F.Tait, and Rosalind Williams

Direction by James F. Tait with Cathy Hay

Sound with Murray MacDonald

Lighting design : Stephan Bircher

Image design: Cathy Stubington

150+ Cast and Crew: See attached Programme for complete list of those involved

Funded by: Vancouver Foundation, Canada Council, B.C. Arts Council, Government of British Columbia, Spallumcheen Band Education Department, Spallumcheen Health Department


This project grew from a request from Ethel Thomas, Spallumcheen (Splatsin) Band addictions counsellor, that we produce a Community Play that would bring together the local First Nations with the town of Enderby in a fun and positive exploration of the common issue of addiction awareness.

Inspiration 

One day I ran into Elder Ethel Thomas, who at the time was the Addictions Counsellor at the Band Office. She said, “It’s time to do another Community Play, About Addictions Awareness”, and this time on the Reserve. I laughed and told her that it was a good idea, and her turn to make it happen as I wasn’t able to do another project the size of a community play again …

A few days later, driving towards Enderby from the south, I looked over at the Starlight Drive-in, which is on Splatsin Reserve. A marvelous idea popped into my head - Community Shadow Play. Immediately I tried to get rid of the idea!  but I mentioned it to my friend Stephan Bircher, a lighting designer living locally. He was excited but doubtful as to its feasibility, on a steel screen.

When I told Ethel the idea she arranged for me to talk to Loretta Thomas who is the owner of the screen. When her permission was cleared, Stephan and I went to meet Brian Smith and Paul Lindquist, the two men who run the cinema. They too were supportive, and invited us to come and try things out one night after the double bill. 

And so we did - packing along ladders, lights, carboard cutouts, extension cords, and sticks. At 1 AM, we met Ethel and her daughter Sandra at the Cinema.  

We did our simple experiments, shining some theatre lights onto the screen and holding up cardboard shapes in the light beam. It was amazing. The shadows were sharp and clear. From in front of the curved screen the acoustics were amazing. 

Ethel danced in the beam, and her thirty foot shadow danced against the sky.  - Cathy Stubington


Community Engagement

Coordinated by Ethel Thomas and Linda Mitchell of Spallumcheen (Splatsin) Band Health Department and Cathy Stubington of Runaway Moon,  “Shadows in the Sky” Addiction Awareness project took place throughout Enderby and Splatsin in the winter and spring leading up to the show, gathering interest, awareness, and ideas leading up to the show. 

Workshops in simple shadow theatre at the schools and after-school programs with children and teens, including a visit with shadow artist Tamara Unroe, was a way of gathering interest,. 

We held pastel drawing workshops with adults at the Band Hall, with guest artist Lisa Figueroa.

We talked with many people, who shared imagery that helped represent relationships with addiction and met with addiction counselors. 

To help get the idea across, we invited Karen Wong to present a Traditional Chinese Shadow Puppet Theatre show, at the Band Hall and at Curly Willow.

And, we invited the community to help build puppets and costumes and participate in the performance.


Synopsis: There were three layers to the narrative.

James Fagan Tait and Cathy met with Rosalind Williams (during the same trip that wrote “Not the Way I Heard It” Community Play), and again co-created the script/storyboard with her thoughtful input.

There were three layers to the narrative:

1. Advertisements gently mocking the way our society advertises the stuff of addictions: snacks, junk food, cigarettes, alcohol….

2. An ethereal journey made up of images and metaphors for addiction that were shared, beginning with a young person setting out into life’s journey with the baggage his parents hope is what he needs. 

3. Chapters in the true (and typical) story of a girl growing up on the Reserve, in a house where there was alcohol abuse.

Style

There were few words; mostly the story came across with images, created with cardboard shapes combined with peoples’ shadows. 

Shadow Theatre has ancient roots, particularly in Asian countries where it is used to tell the great epic stories behinds Hinduism and other religious traditions. The ethereal medium lends itself well to the very personal theme of addictions, and the shadows can generalize the characters and allow anyone to identify. The whole approach to the subject matter was very gentle.

Shadow puppeteers are normally on the other side of the screen, but as ours was solid steel, we projected light from the direction the film would be projected from, and the shadows were reflected onto its high-gloss surface.

Local musician Murray MacDonald led the live “soundtrack” for the play from in front of the screen and below it (as the screen starts at 15 feet above the ground. This reflects the Indonesian shadow theatre tradition in which a gamelan orchestra is on the audience side of the screen.